Zoe Austin - Music Tutor and Music Therapist

Welcome to my blog! Here you will find details of my music business plus postings about matters creative which I hope will be of interest.

Wednesday 2 November 2011

Music Therapy Services

Music Therapy?

According to the British Association for Music Therapy, the practice can be considered thus:


Music plays an important role in our everyday lives. It can be exciting or calming, joyful or poignant, can stir memories and powerfully resonate with our feelings, helping us to express them and to communicate with others.

Music therapy uses these qualities and the musical components of rhythm, melody and tonality to provide a means of relating within a therapeutic relationship. In music therapy, people work with a wide range of accessible instruments and their voices to create a musical language which reflects their emotional and physical condition; this enables them to build connections with their inner selves and with others around them.

Music therapists support the client’s communications with a bespoke combination of improvised or pre-composed instrumental music and voice, either sung or spoken. Individual and group sessions are provided in many settings such as hospitals, schools, hospices and care homes, and the therapist’s approach is informed by different theoretical frameworks, depending on their training and the health needs which are to be met.

(http://www.bamt.org/music-therapy-british-association-of-music-therapy.html)

Music Therapists work to create a safe space in which they can facilitate a therapeutic relationship with their clients. Music Therapy is NOT a complimentary therapy (there is rarely whale song involved!) and is more often akin to therapeutic interventions such as psychotherapy or counselling, than to any form of "relaxation" technique (although, of course, clients may experience senstations of relaxation as a result of processing difficult emotions within the therapeutic space). Music Therapists take into consideration their clients' emotional and physical needs, as well as their musical histories. Music Therapy most often uses musical improvisation by therapist and client for the expression and containment of emotional release. Clients may also choose to use pre-composed music in their sessions, either to perform themselves or, for example, to share a favourite piece of recorded music with their therapists. Music Therapy can take place in individual or group sessions and sessions can be facilitate in various clinical settings.

Requirements

Music Therapists in the UK are now required to complete a two year full-time (three year part-time) MA course, although Therapists who qualified prior to 2007 may still be qualified to Diploma level. The training includes intensive study of psychological/psychodynamic/psychoanalytic and child development theory, experiential practice of other Arts Therapies (Drama Therapy, Art Therapy, Psychodrama et al.), seminars given by visiting professionals from other fields (Occupational Therapy, Psychology, Cognitive Analytic Therapy et al.). There is also a necessity for one year's part-time clinical placement (often divided as one placement of six months and two more of three months each - each one in a different setting with a different client group).

Music Therapists are required by law to be registered with the Health Professions Council in order to practice within the UK.


A Bit About Myself

I have been lucky enough to have music as an important part of my life since I was three years' old, when my Mum asked me if I wanted to have violin lessons. The rest, as they say, is history...

As I got older, I went on to study voice, oboe and piano (with a bit of bassoon and a few recorders thrown in for good measure!). I was first made aware of the profession of Music Therapy at around age 13, and knew from then that it was what I wanted to do with my life.

As they say (or would, if they knew me at all), the path to Music Therapy practice never did run smooth. I attended Exeter University in 1999, and gained a BA (Hons) in Music in 2002. After that, I stayed on and completed an MA in European Film Studies. At this time, the requirement to begin training as a Music Therapist was to be aged 25 years or above. I was 21 in 2002, so was fortunate enough to be able to complete the further study and give some thought as to what I could do with next.

Along came a few wildnerness years during which time I was able to keep-up my musical performance skills in various choirs and orchestras, which I thoroughly enjoyed. Then, in 2006, circumstances came together, and I was able to apply for the Music Therapy MA course at Anglia Ruskin University. I can still remember the joy and excitement I felt when I received my offer letter.

Since qualifying as a Music Therapist in 2008, I have been building my experience in supporting people, both musically in my growing private practice (Music Therapy and tuition) and as a Child and Family Worker in Children & Young People's Social Care: a position which I held from 2009 until earlier this year.

I now work part-time for Huntingdon Regional College, both as a peripatetic music tutor and as the Project Manager for the Music Therapy Service which we are newly seeking to establish (watch this space!). The rest of the time, I continue to build my private practice. I have been able to combine my skills in Music Therapy and music tuition to also provide what I call 'therapeutic' or 'adaptive' music lessons (along  with standard lessons and clinical Music Therapy) to people with needs such as learning disabilities or mental health difficulties.

The Belltree Music Therapy Centre in Brighton (to which, I hasten to add, I have no affiliation: I cannot take credit for any of their great work!) give an excellent representation of personal difficulties which an individual and therapist may be able to work through in Music Therapy sessions:

Music therapy can help people of all ages and abilities. It is often used when a person's communication skills are limited or when they have difficulty engaging in a verbal therapy. This may be due to emotional distress or a physical or learning disability. Some examples of the types of difficulties which can benefit are listed below:
Communication difficulties, due to:
  • —Autistic Spectrum Condition
  • —Speech and language disorders
  • —Developmental delay
  • —Learning disability
  • —Physical disability
  • —Elective mutism
  • —Neurological conditions
  • —Brain Injury
  • —Dementia

Emotional Difficulties such as low self-esteem or anger, due to:
  • —Marital breakdown,
  • —Bereavement
  • —Attachment difficulties
  • —Domestic violence
  • —Disability
  • —Trauma

Other reasons why people have found music therapy to be beneficial are:
  • —Behavioural problems, such as Attention Deficit Hyperactivity Disorder (ADHD)
  • —Mental health problems
  • —Terminal illness
  • —Stress

Difficulties such as those listed above rarely occur in isolation and music therapists draw on their awareness of the client's background, and their knowledge of psychological and psychodynamic theories to respond to and work with the client appropriately.

Music therapy is also used by people who are able to communicate freely but are interested in personal growth and self-discovery. Clients can use music and sound to explore their emotions, discover new insights and develop a greater understanding of how they relate to the world.


(http://www.belltree.org.uk/about_music_therapy.html)

My Work

Other than working with clients who have brain injury or neurological disorders, I qualified and clinically experienced to address the other difficulties listed above by Belltree.

I work with clients of all ages and backgrounds. A risk assessment and Music Therapy assessment may be appropriate for me to carry out before a final decision is made regarding therapeutic input. I am able to provide sessions throughout Cambridgeshire, within clinical or home settings as appropriate. For clients who are also service users of, for example, mental health services, it may be useful for me to contribute (with client consent) to Care Plans or, in the case of children, to Child in Need plans - such matters can be discussed and decided on a person-to-person basis. Client confidentiality will only be broken in the case of Child Protection or SOVA concerns.

If you or someone you know wishes to know more about Music Therapy or the services I provide, or you are interested in receiving Music Therapy or therapeutic music tuition from me, please contact me by email at za_music@yahoo.co.uk or by telephone on 07791308536.

This has been a rambling post, but so has my musical journey. I look forward to be a part of yours.
 

Monday 12 September 2011

My business, your blog.

My friend Liz Broomfield is a fellow freelancer whom I met back in the day when we were both working at the Main Library, University of Birmingham. It was Bookcrossing (http://www.bookcrossing.com/) which initially made our introductions for us - I had seen many releases around Birmingham from someone called Lyzzybee. One day, such a release appeared in the library staff kitchen! I was very excited and contacted Liz through Bookcrossing.com, noting my enthusiasm to meet a Bookcrossing celeb such as herself. We met up and I was pleased to make a new, good friend that day. Before I left the library in 2006, I was able to go on at least two releasing sprees around the Edgbaston campus with Liz (bookish fun indeed!) and I went along to a couple of Bookcrossing meet-ups in Brum city centre which Liz seemed to be co-ordinating.

I believe that Liz is still working part-time at the library, but her own business, Libroediting, is going from strength to strength. As well as offering a comprehensive editing-proofreading-writing service, Liz writes an interesting and thoughtful business blog - http://libroediting.com/blog/ which she also shares on her Facebook page: https://www.facebook.com/LibroEditing

I am often intrigued by the 'troublesome pairs' of words, the appropriate usage of which Liz explains on her blog, e.g. 'bought or brought?': http://libroediting.com/2011/09/09/bought-or-brought/

She also provides a wonderfully generous publicity service for fellow freelancers through her Saturday Freelancer Chat. I completed an interview for this page a little while ago which appeared on the blog last Saturday: http://libroediting.com/2011/06/11/freelancer-chat/

I was pleased and proud to read my interview (and to note how far I have come in the short time since then!) and extremely grateful to Liz for promoting Zoe Austin Music in this way. I am also continually grateful to this kind lady, who has offered me lots of helpful support and advice about setting up my own business, including talking me through my first tax return!

Here's to Liz and a continued prosperous future for her and for Libro Editing!

Saturday 30 July 2011

Lucy Cavendish Singers

Since Easter 2009, I have been a member of the Lucy Cavendish Singers:
http://www.lucy-cav.cam.ac.uk/pages/news-events/lucy-cavendish-singers.php

We perform in Cambridge, often at various functions at Lucy Cavendish College (to which the choir is attached) or at public performances in venues such as the Michaelhouse Centre (http://www.michaelhouse.org.uk/), the EURC (http://emmanuel-urc.org.uk/) on Trumptington Street or the Bateman Auditorium in Gonville and Caius College (http://www.conferencecambridge.com/home/index.php?m=venues&id=10).

There are new photographs on the choir's website, above, along with some of the watercolour portraits which Lesley Fotherby has painted of the choir during our rehearsals and concerts over the last year or so. Lesley is a very talented watercolour artist, who enjoys capturing performance artists in the art of creation. Some of her other works can be viewed here: http://www.chrisbeetles.com/gallery/artist.php?art=1731

Also available on the website are lists of past and forthcoming performances as well as recordings of live choir works from the last year.

Lucy Cavendish Singers also have a Facebook page:
https://www.facebook.com/pages/Lucy-Cavendish-Singers/114828925238309

Here you can find more photographs of the choir and details of upcoming events.

The choir are lucky to be accompanied by a talented band of musicians, notably:

Simon Marlow on piano
http://www.lucy-cav.cam.ac.uk/pages/news-events/lucy-cavendish-singers/simon-marlow.php

Nicky Haire on violin
http://www.lucy-cav.cam.ac.uk/pages/news-events/lucy-cavendish-singers/nicky-haire.php

Jon Ward on guitar and percussion
http://www.lucy-cav.cam.ac.uk/pages/news-events/lucy-cavendish-singers/jon-ward.php

and the new addition, Sarah Sharrock, on double bass
http://www.lucy-cav.cam.ac.uk/pages/news-events/lucy-cavendish-singers/sarah-sharrock.php


Jon also has his own music business, which includes his guitar tuition and mobile music system, Soul Music Nights:
http://www.gumtree.com/p/business-services/soul-music-nights-mobile-disco/81812056

The choir performs a range of music in our concerts, and audience and choir members are always complimentary of the way in which our fabulous directrice, Katharina Megli, creates a unique programme for each performance which combines music from 13th - 21st centuries, covering every musical style you can imagine! Pieces are performed by the whole choir, small groups and soloists. We have built up quite a following in Cambridge since the choir's inception in 2008 and often receive smiles and happy praise from attendees.

It is both a pleasure and a privilege to sing as a member of the Lucy Cavendish Singers. On my darkest days, a rehearsal with the gals always brings a value and smile to my experience. Here's to the future!

Saturday 23 July 2011

Facebook page

I have just started a Facebook page for my music bizz. Here it is:

https://www.facebook.com/pages/Zoe-Austin-Music-Cambridgeshire/122401297852228

I hope that it helps to attract more pupils.

Cly Sparken

I have recently been doing some singing with Cly Sparken. As described on www.cambridgebands.com as:


Cly: adj. [Gaelic] "heard from afar"
Sparken: n. archaic [Old English] "enchantment"

An acoustic mix of original folk and blues with strong melodies and dynamic vocals – Cly Sparken is the project of singer-songwriter Dave Neale, whose songs have been described as ‘haunting’ by NME. The name Cly Sparken was inspired by the beauty and folklore of the Peak District - also the inspiration for many of the songs on the debut album, Music for Strangers.



Here is a link to the myspace page, where you can hear some of the beautiful songs which Dave has written:
http://www.myspace.com/sparkenmusic

We performed at this year's Ely Folk Festival (http://www.elyfolk.co.uk/) on Friday, July 8th 2011. We were the opening act in Marquee 2 - the local band tent for local people. Dave is the main man on his vocals and guitar, I sang in four songs and Dave was joined by his Dad, Alan, playing a marvellous harmonica on four other songs. I really enjoyed myself - it was a pleasure to perform as part of Cly Sparken and the festival itself had a wonderful, friendly vibe.

Here is a photo of Dave and Alan performing together:

Photobucket


Last night, we performed as part of the Greenstage Festival (http://www.localsecrets.com/vcwhatsondetails.cfm?id=2072107~greenstage-festival-horningsea-cambridge-plough-and-fleece) at the Plough & Fleece in Horningsea. It was a cold and rainy night to be performing outdoors, and Dave joked, as we were about to start 'The Raincoat' that this was the second time we had performed in such weather conditions:

Photobucket


This was another very friendly gig with the welcoming Horningsea crowd. I again really enjoyed performing and many people complimented Dave after the fact on his performance and the quality of his song writing.

I'm not sure what the next event for Cly Sparken will be, but please watch this space! It is a musical venture of which I am proud to be a part and I would love for as many of you as possible to experience the group's music.

Friday 22 July 2011

About me

I thought it would be useful for my first post to contain information about my music business.

I am a Music Tutor and Music Therapist operating a private practice in the Cambridgeshire area. Based in the Huntingdon district, I am able to visit music students in their homes of they are not able to come to me. I teach voice, violin, piano and theory of music at all levels and am happy to work with people from all different backgrounds and with different levels of musical experience and ability. I offer tuition in a wide range of musical styles - from Classical to jazz to folk. I am able to offer what you might call 'standard' music lessons as well as 'therapeutic/adaptive' lessons for people with learning difficulties, mental health difficulties etc.

I have around 10 years' experience of teaching music on a private basis. I worked for Dudley Music Services in 2004, Cambridgeshire Music 2010 - 2011 and will be working for Huntingdonshire Music School (HuMS  - http://www.humsa.org.uk/) come September of this year.

As well as being an experienced music tutor, I am also a HPC registered Music Therapist, practising to the ethical guidelines of the Association of Professional Music Therapists. For more information about Music Therapy and who it may potentially benefit, please read more on the APMT's website or contact me for more information: http://www.apmt.org/Info/MusicTherapy/tabid/69/Default.aspx

If you are interested in discussing Music Therapy or tuition with me further, please email za_music@yahoo.co.uk

Please continue to follow my blog and watch this space for future updates!